3D Model

The CGS301 Sub-Oscillator was one of the first synthesizer modules Ken ever built, back around 1980. The first version was designed with the ETI 4600 in mind, and was published as a circuit idea in the Australian edition of ETI.

Another circuit he used at the time to "fatten up" the sound of his single oscillator synth was a "harmony generator", achieved by running a 4017 decade counter chip wired to divide by three or six.

This design combines both of these circuits, giving a two channel sub oscillator, which allows each channel to be used independantly, or driven from the same oscillator, but set to different intervals. As a bonus, both channels can be multiplied or "digitally ring modulated" giving even more effects.

Running both sub-oscillators from the same VCO, tuned to a fifth over the base note you require, and with the prescaler set to divide by 3, it is possible to create harmonies. An unusual effect here is that the ring modulated outputs give a fatter chord-like sound that remains independent of minor or major scales, allowing "one finger chords" which can be handy when used with a related sequencer driven bass line. Careful mixing of the ring modulated output with one channel's divided output results in some interesting sounds, especially if one of the channels is being driven from a low frequency oscillator. Running like this, it could be considered to be a "harmonic sequencer".

Running both inputs from the same LFO/clock signal, and feeding the mixed output into the 1V/oct input of a VCO gives you a pattern based sequencer, where the prescaler, ring modulated outputs, etc., all have a bearing on the pattern. Quite interesting patterns can be created this way. Each knob of course varies part of the overall structure, instead of a single note as per a regular step sequencer.

When using the sub oscillator, try feeding an audio signal into the "a" input, and a low frequency signal into the "b" input, then mix the "a" channel and multiplied signals together. Due to the action of the EXOR gates, the output of the "a" channel can be gated partially to fully on and off, giving some interesting tonal sequences.

Asymetrical input waveshapes will not drive the input multiplier properly. Nothing says you can't exploit this either.